Directed by Julie Taymor
release date 2020

creator Sarah Ruhl
2 Hours, 19minutes
genres Drama, Biography

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Gloria Steinem has lived such a long and significant life that it takes four actresses to play her-including two Oscar winners-in "The Glorias." That device of having multiple performers portray the veteran journalist and activist, and sometimes even having them engage in conversations with each other, is the most effective element of director Julie Taymor's effort to encompass a whole, complicated life while also avoiding traditional biopic tropes.
For the most part, she's successful. Just when you think she's heading into cliched territory, Taymor mixes it up, plays with structure, and subverts your expectations. Working from a script she co-wrote with Sarah Ruhl, based on Steinem's autobiography My Life on the Road, Taymor hops around in time between Steinem's youth in Toledo, Ohio and her worldwide travels in her 20s through the beginnings of her writing career and her key role in the women's liberation movement of the 1960s and '70s. And while there's a continuity to the performances-the hair, the voice, those signature, oversized aviator glasses-each actress imbues her role with a specific vibe and edge as Steinem evolves.
Julianne Moore gets the bulk of the screen time as Steinem from her Ms. Magazine years and beyond, and radiates both indignant idealism and world-weary wisdom. But Alicia Vikander meets and exceeds her own challenges as a younger Steinem, from her time at Smith College through her travels in India and her groundbreaking, undercover Playboy Bunny article, which put her on the map in 1963. Before that, we see little Gloria (Ryan Kiera Armstrong) an energetic girl who worshipped her struggling entrepreneur dad (a charismatic Timothy Hutton) and teenage Gloria (Lulu Wilson) who learned how to fight for others by caring for her physically and mentally ailing mother (Enid Graham.
But Steinem's mother also had been a promising journalist-albeit under a male pseudonym, an unfortunate necessity back then-which lays the groundwork for her own path. What's elegant and efficient in the storytelling of "The Glorias" is the way it reveals how each person and experience throughout her life shaped her ideology and sense of purpose. The Glorias' conversations on a bus ride that serves as the film's through-line illuminate this arc further. Sitting side by side, the wind in their center-parted hair, Vikander-as-Steinem laments to Moore-as-Steinem that she wishes she'd spoken up and fought back more when male colleagues and editors discouraged, objectified harassed her. The elder Steinem reassures her that she will eventually: Plenty of times, lots of times, speaking your mind will get you into trouble, she tells her younger self with an amused smile at the memory of her own feistiness. It's a gimmick, sure, but also an insightful depiction of the kind of talk we all wish we could have with ourselves in our teens and 20s.
But at nearly 2 ½ hours, The Glorias" does feel a touch too long toward the end. And the visual tricks Taymor employs to reflect Steinem's inner state seem like filler, a distraction, even though they're the kind of inventive flights of fancy the director has become known for through productions like her Broadway staging of "The Lion King" and films including "Across the Universe" and "The Tempest." A contentious TV interview that turns into a whirling, swirling, Wizard of Oz" homage is especially out of place. Steinem's wit, grit and personality, her longtime work as a feminist icon and the relationships she builds with other civil rights leaders provide more than enough material for a fascinating film. It's also enlightening, on the heels of the excellent Hulu series "Mrs. America, to revisit this tumultuous era from Steinem's perspective.
But the film quickly skims past one key chance to shed more light on her personal life. A topic that crops up throughout the movie is Steinem's choice to remain single at a time when women were expected to get married and have children. Specifically, we see men ask her why she isn't married in a series of interviews; naturally, she bristles. It's a personal decision. When she finally does get married at 66, it feels like an afterthought: Who is this person who dazzled her so thoroughly that she changed her mind on such a crucial stance? She mentions that his name is David and we briefly see them wed in a traditional Cherokee ceremony, but that's it. (Steinem was married to David Bale, entrepreneur and environmental activist and the father of Christian Bale, from 2000 until his death in 2003.) It's a missed opportunity to help us understand her beyond her public persona.
Still, The Glorias" is consistently a visual treat, as you'd expect from Taymor. The cinematography from the great Rodrigo Prieto (who also shot Taymor's "Frida" gives each of these eras a lush and distinctive texture, and the use of stark black and white provides a striking contrast as the various Glorias chat on the bus. And the clothes from legendary costume designer Sandy Powell are, as always, to die for; far more than an elaborate and groovy game of dress-up, Steinem's clothes tell a story all their own in signaling her development, from the slim minidresses she wore as an ambitious young journalist to what became her go-to uniform of a black, long-sleeved top, black pants and boots. The costumes are also key to the portrayal of other larger-than-life feminist figures including Bette Midler as former Congresswoman Bella Abzug, Lorraine Toussaint as lawyer Flo Kennedy and Janelle Monáe as Ms. Magazine co-founder Dorothy Pitman Hughes. They're all engaging scene stealers in showy, entertaining roles.
At the center is Steinem-still with us and still fighting at age 86. And sadly, what she has to say is just as relevant now as it was 50 years ago.

The glorias where to watch. The glorias julie taymor. January 28, 2020 | 8:14am | Updated January 28, 2020 | 10:19am Enlarge Image Julianne Moore stars as Gloria Steinem in Julie Taymor's "The Glorias. " Daniel McFadden | Courtesy the Sundance Institute PARK CITY, Utah — Julie Taymor is better with lions than people. The director has an unrivaled eye for spectacle, as seen in “The Lion King” on Broadway, and is known for letting nothing get in the way of her ambitious visions. If you saw “Spider-Man: Turn Off The Dark” nine years ago, like I did, you had to at least admire Taymor’s staging, if not the song in which an eight-legged villain sang an ode to designer shoes. Such is the case with her new movie “The Glorias, ” about pioneering feminist Gloria Steinem. Taymor’s first film since 2010’s dismal “The Tempest” is gorgeous to look at, but hollow on the inside. The biopic, which premiered Sunday at the 2020 Sundance Film Festival, is from all appearances a movie about a human being, with flaws, struggles, victories, quirks and failings. But Taymor has not made the on-screen Steinem a person — she’s turned her into a golden god: unflappable and seemingly impervious to hardship, as though for her, a river is nothing more than a damp sidewalk. And that’s not the only higher-plane stuff. The movie is framed by interwoven black-and-white shots of a bus rolling down an endless road, and on board are several Glorias at different ages, unbound by time. They speak to each other in ethereal whispers like they’re up on Mount Olympus, amused by us mere mortals down below. A decent enough Alicia Vikander plays Steinem in her 20s and a detailed Julianne Moore assumes the role in the character’s later years. Director Julie Taymor Courtesy of the Sundance Institute For a woman who put up with so much adversity, risked a great deal for what she knew to be right and triumphed, a tone of unchanging whimsy is a rather odd, inert choice. For that reason and others, the film often comes off as more about Taymor than Steinem. The best parts are the early portrayals of Steinem’s childhood with a high-energy dad who’s obsessed with traveling the world and a mom who suffers from delusions of World War II. Dad’s a class clown type who names the family dog Dammit as a bit. He also inspires Gloria’s passion for visiting faraway lands, such as India, where she meets local women and listens to their problems. The biggest bump in the road she faces in the film is trying to break into journalism in New York. Editors only want to assign her fluffy fashion stories, whereas she craves breaking serious news. The closest she gets is being sent undercover to investigate the Playboy Club. One straight-faced editor tells her: “You’re a good writer, Gloria. In fact, you write like a man. ” She then takes matters into her own hands and creates Ms. magazine, with the help of friends, which propels her to national prominence in the feminist movement. That’s when she meets New York Rep. Bella Abzug, played by a spunky Bette Midler, and they help found the National Women’s Political Caucus. The script, co-written by Taymor and Sarah Ruhl, doesn’t push Midler to be anything more than a comedian with so-so jokes, but she thankfully injects some fizz into otherwise still water. Steinem is, needless to say, an inspiring figure, and even the reiteration of her biography — paired with an emotionally generous performance from Moore — will bring the occasional tingle and the less occasional tear. But I’d rather see a Steinem film where, instead of nostalgically looking back on bygone events, we’re thrown into her brave, messy, singular moment.

The glorias movie 2020. The glorias sundance review. The glorias movie poster. The gloria allred. The gloriam. The glorias watch online. The glorias movie. The glorias movie release date. The gloria. The glorias amazon prime. The glorias release date. EXCLUSIVE: Lulu Wilson, who was recently seen in Netflix’s The Haunting of Hill House and HBO’s Sharp Objects, has been tapped to play a young Gloria Steinem in the Julie Taymor -directed biopic, The Glorias: A Life On The Road. Based on Steinem’s memoir of the same title, the pic has Julianne Moore playing Steinem as well as Alicia Vikander is in negotiations to play the feminist and social-political activist from age 20-40. The pic, which was presented to buyers at the recent AFM conference, will follow Steinem’s journey to become a crusader for equal rights and her groundbreaking work as a journalist and campaigner. Bette Midler is also in talks to join the film in a supporting role. Page Fifty-Four Pictures’ Alex Saks is producing with Taymor and Lynn Hendee. Steinem and Amy Richards are exec producers as filming is slated to begin next year in Savannah. Wilson, known for her roles in horror films like Ouija: Origin of Evil and Annabelle: Creation, is repped by UTA, Authentic Talent and Literary Management, and Jackoway Austen.

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The gloria steinem. The glorias savannah. The glorias of christmas kirkland. The gloria ferrer. The glorias streaming. The glorias cast. The glorias film. The glorias movie cast. Gloria Steinem ’s biopic is officially hitting the road, securing domestic distribution from LD Entertainment and Roadside Attractions. Directed by Julie Taymor, “The Glorias” premiered in the official selection at this year’s Sundance Film Festival. It stars several generations of actresses taking on key phases in activist icon Steinem’s life, led by Julianne Moore and Alicia Vikander. LD and Roadside are planning on an early fall release ahead of the 2020 election, and promised a national promotional tour backed by Steinem. Endeavor Content represented filmmakers in the sale. “With ‘The Glorias, ’ Julie Taymor and her extraordinary cast​ paint a commanding portrait of an American leader, the remarkable Gloria Steinem, and also salute the millions of amazing women who have fought alongside Gloria for social change during the last half-century, ” said Roadside Attractions co-heads Howard Cohen and Eric d’Arbeloff. “We are incredibly energized to bring this epic story to theaters this fall. ” Lulu Wilson and Ryan Kiera Armstrong portray pre-teen and young Steinem, respectively. The film features a powerful acting ensemble to represent the key feminist figures who fought alongside Steinem in the Ms. Magazine era — including portrayals of Dorothy Pitman Hughes (Janelle Monáe), Flo Kennedy (Lorraine Toussaint), Bella Abzug (Bette Midler), Dolores Huerta (Monica Sanchez) and Wilma Mankiller (Kimberly Guerrero). Gloria’s father, Leo Steinem, is played by Oscar winner Timothy Hutton. “Our most gratifying experiences have come from inspiring audiences with the authentic voices of historic female icons in films like ‘Jackie, ’ ‘Judy’ and now ‘The Glorias, ’” said LD Entertainment’s Mickey Liddell. “Taymor’s imaginative vision, brought to life by the performances of Julianne Moore and Alicia Vikander, honors Gloria’s pursuit to empower women from all walks of life. ” Based on Steinem’s autobiographical book, “My Life on the Road, ” the script was adapted by co-writers by Taymor and Sarah Ruhl. Taymor produced the film alongside Alex Saks of Page Fifty-Four Productions, and Lynn Hendee. Executive producers include David Kern, Marcei A. Brown, Amy Richards, Jenny Warburg, Sarah Johnson and Regina Scully. The production team includes Oscar winners like costume designer Sandy Powell, composer Elliot Goldenthal and cinematographer Rodrigo Prieto. Kim Jennings served as production designer, and was edited Sabine Hoffman.

The gloriana. The glorias movie trailer. The glorias prayer. The glorias julianne moore. The glorias mystery rosary. The glorias of christmas. The glorias a life on the road. Production Listing Films Share: Like on Facebook Tweet Email Copy Link Contact information is only available to Backstage members with subscriptions. Sign Up or Log In to get in touch! Personnel: Bernard Telsey, Casting Director Julie Taymor, Director Links: Telsey + Company Production Type: Production Status: Pre-production/Upcoming Genres: Drama, Adaptation Production Info: The life of feminist icon Gloria Steinem based off her memoir, "My Life on the Road. " With Julianne Moore, Bette Midler, and Alicia Vikander. Produced by Golden Engine Pictures. Shoots in January in Savannah.

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